Franco Zeffirelli's spectacular production returns to the Met once more. One of the most recognizable productions in the world, Zeffirelli's La Boheme has grown into one of the most beloved Met traditions. Prepare to be transported to the snowy streets of 19th Century Paris, where Puccini's group of ill-fated bohemians collide in this epic tale of romance and tragedy that echoes through the ages.

Undoubtedly the most highly regarded and beloved works in the canon, Puccini's tragic tale of revenge and murder returns to the Met in Sir David McVicar's stunning production, with the sizzling quintet of Sondra Radvanosky, Aleksandra Kursak, Eleonora Burrata, Saioa Hernandez, and Natalya Romaniw sharing the title role. Sit back and be transported to Rome on the edge of invasion in this marvelous melodrama. As perfect for first-timers as it is for seasoned audiences.

The Metropolitan Opera presents Jenufa, Leos Janacek's 1904 seminal opera, in a new production directed by Claus Guth. Following his acclaimed 2025 staging of Salome, Guth returns with a psychologically haunting take on Janacek's powerful drama. Familial honour is at stake as a well-meaning woman takes devastating action to secure her stepdaughter's future in this emotionally overwrought psychological tragedy that tests both performers and audience alike.

Tony-winner and Oscar-nominee Julie Taymor brings this innovative and magical recreation of Mozart's The Magic Flute to life - complete with dancing bears and giant flamingos! The production is sung in English and shortened to just 90 minutes to form an abridged version perfect for families and a much loved Metropolitan Opera tradition.

The barren moors of Scotland and the perilous games played by bloodthirsty nobles combine to create one of Verdi's most thrilling and evocative works, returning to the Met in a new production from Louisa Proske, starring Quinn Kelsey as the haunted King, opposite Lise Davidsen as his ambitious wife, Lady Macbeth.

Return to Coney Island as the Met stages Phelim McDermott's glorious production of the Mozart favorite. The third collaboration between Mozart and librettist Lorenzo Da Ponte (following Le Nozze di Figaro and Don Giovanni), the work didn't fare too well when it debuted in 1790, with many considering it amoral and risque, but has since been thoroughly reappraised and become an unmissable part of any season!