Kenrex, the critically acclaimed one-man play created by Jack Holden and Ed Stambollouian, is back in New York following a five-star West End run. Directed by Stambollouian, the production features Holden playing a multitude of characters, with a live, Americana-inspired musical score written and performed by John Patrick Elliott.

Take a read below to find out exactly what critics thought of New York's new addition!

The Reviews

The Wrap

"As for Holden's performance, it's amazing he doesn't collapse from exhaustion before "Kenrex" ends. I felt the same about Andrew Scott in "Vanya" and Sarah Snook in "The Picture of Dorian Gray," and if you found those one-person plays to be great theatrical experiences, "Kenrex" is the show for you. I found all three to be endurance contests for the actors, as well as a little gimmicky in the actors' transitions from one character to the next."

New York Theatre Guide

"The most impactful aural moments, though, are the quieter ones from which whispers arise. In his top-notch, 360-degree sound design, Giles Thomas routinely employs recorded voices to stand in for unseen townspeople, responding and reacting to Holden's characters from various sides of the theatre. You'd be forgiven if you thought those outcries were coming from your fellow audience members at first I and my neighbors sure did. It's but one way Kenrex involves us in the story and invites us to ask what we'd do in the Skidmore townspeople's shoes."

1 Minute Critic

"Jack Holden embodies every character in town in a magnetic performance that reminds us why we go to the theater in the first place. Co-written by Holden and Ed Stambollouian, KENREX also features a pulsating, Americana-infused score by John Patrick Elliott, performed live and in sync with Giles Thomas's atmospheric sound effects. The result? An edge-of-your-seat journey into the depths of small-town America, a broken judicial system, and the vigilante residents determined to reclaim their power."

New York Theater

"KENREX" may not be as poor a fit for American audiences as previous UK efforts to put American dysfunction on stage (such as "Enron" and "Tammy Faye"), but Holden's rocking performance does tend to put the spotlight more on him than the people of Skidmore."

Culture Sauce

"It's a remarkable performance, goosed by Giles Thomas's 360-degree sound design, Joshua Pharo's lighting, and Anisha Fields's versatile costume and sets including a prominent reel-to-reel tape recorder that allows Holden to engage in real-time conversations with prerecorded versions of himself (and a handful of others). He's also backed by the glaring guitar riffs and banjo-inflected country score of onstage musician John Patrick Elliott, which literally underscore the atmosphere of a place that seems both familiar and remote."