I went with my drama club to New York and we saw cabaret. It was honestly so fantastic and Alan Cumming was AMAZING. Over all it was just a fantastic show. I definitely recommend it.

This is a phenomenal staging of one of the classic shows to ever appear on Broadway. Even if you think you've "seen it" -- trust me, you NEED to see this production. The emcee role is taken to new heights, as are so many of the key roles throughout. The director implies so many connections between Weimar Germany of the 1930s to America of today, it's almost scary. This is truly a Broadway-level production that you do not want to miss. Just go.

I just had to see a Broadway show on my recent trip to New York, and I went to studio 54 to see cabaret! Alan Cummings "owned" the show, no doubt about it!!! The whole performqnce just hit the right note of raunchy funny and tragic. There were the minimum of props, so the actors really had to work hard to stimulate the imagination of the audience and do so with great skill. I most certainly would recommend it!

I saw Cabaret on 6-25-14 during the matinee performance. I was with a bus trip so our seats were up high; however, we could see perfectly and I had my opera glasses to use when I wanted to focus on someone. I will definitely return with my husband and buy the orchestra seat tickets just to be a bit closer and to experience the nightclub venue. Alan & Michelle were fabulous despite the poor reviews I have read. Before the show we were fortunate to have a workshop with Jessica who was a musician/dancer. That was also wonderful. I would highly recommend Cabaret. You won't be disappointed.

I saw "Cabaret" 3 times when it ran from 1998-2004. If I weren't a Roundabout subscriber, I might not have seen this revival of a revival--- that would have been a shame. It seems less glitzy and much more poignant this time around. Is it because I'm older? Is it because the beyond fabulous Alan Cumming is older? Is it because Linda Edmond and Danny Burstein are SO TERRIFIC in their roles that their part of the story seemed more important than that of Cliff and Sally---who knows. The production works its devastating magic. The musicians are great. Michelle Williams's innate fragility and vulnerability work very well here---she handles the singing just as Sally would! Well done, all involved with this production. Highly recommended.

Saw cabaret last night, michelle williams was absolutely fantastic, what a great sally bowles, and alan cumming is wonderful of course, a great production, thank you for this revival !