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News Desk December 10th, 2018
After a critically acclaimed run in London's West End earlier this year, the groundbreakingly new The Jungle opened off-Broadway last night at St Ann's Warehouse. Did this touching story enthral the critics?
The New York Times said that "The show summons, with uncanny clarity, the vigorous chaos from which a provisional order gradually emerges", continuing with "There is tension, of course, and apprehension and suspicion...But the clashes ate often comic, and the pure energy of actors creating a world of people creating a world of their own is exhilarating". They finished with "It is, above all, a work of absorbing theater."
The Washington Post mirrored the sentiment saying "The drama's success in imbuing with personality those trapped in the camp", continuing with "No weak link exists in the 18-member strong ensemble, and some actor's offer particularly vivid accounts."
The Hollywood Reporter was in awe of the production saying "It's a stunning feat of design, but it's not the only aspect that makes marvelously realized production" and calling The Jungle "essential viewing".
What is The Jungle about?
Pulling the audience into the sprawling, bustling refugee camp, the story charts the Jungle's birth to its very last eviction, as told through the eyes of 35-year old Syrian refugee Salfi, a former English Literature student who escaped the bombing of Aleppo. Capturing the interactions of refugees and volunteers from many different countries, vividly-drawn, complex characters give voice to the voiceless, those ignored by British and French authorities who actively turn their back on the humanitarian crises on and near their shores. Three such individuals are Okot, a 17-year-old refugee from Sudan, Afghan teenager Norullah who's desperate to get to England and Helene, a woman trying to find the right path for not only her but her family too.
The Jungle is currently playing at St Ann's Warehouse through to February 28.
Thrilling... ravishing... devastating... it feels as if all the world is holding its breath. Vigorously engrossing production...
New York Times
